It is 7 p.m. — dress rehearsal night.
In the scene shop in the basement
of the Dreyfuss Building, two racks of
elegant vintage clothing are labeled
with each performer’s name. Actors
are putting on makeup or trying on
costumes that are altered on the spot
by Bierly and her assistants.
Patrick Brockway, a freshman
who plays Speed, Valentine’s servant,
dons a vest, cravat and snappy yellow-and-black pinstriped pants held up
by suspenders. “I love Speed,”
Brockway says about his character,
who delights in word play and bawdy
gestures. “He’s insanely funny.” The
son of theater professionals and a veteran of community theater himself,
Brockway acknowledges that
comedy is a natural fit for him: “In
school I was the class clown.”
After a brief warm-up exercise,
the dry run of the play starts late. The
actors deliver their lines smoothly, but
the scene changes need work and have
to be practiced several times. It is after
11 p.m. by the time rehearsal is over.
On opening night, a Wednesday,
everything goes well: lines are
read and scene changes made with few
problems. Harry charms the audience
with his canine grin and occasional
walk-abouts. In fact, he gets the loudest
cheers, but the audience also applauds
Speed’s and Launce’s antics and
the fine acting from the leads.
“Everyone liked the dog,”
Michaelson admits. “I got upstaged
— that’s just how it is, working
with animals.”
Students say they gained confidence
with every performance, making
the language clearer and more enjoyable.
“We got all our jitters out,”
Amerman says. “As it went on, we got
a lot better.”
Senior Sean “T.” McGrath plays
Thurio, Valentine’s pompous rival for
Sylvia’s hand. Unless he is cast in a
spring 2011 play, this will be his last
production at FDU. The end of the
last performance is bittersweet, he
says. “Something you worked on
endlessly for five weeks comes to a
close. It’s kind of a relief — you have
more time for things you’ve been
putting off — but it was a little
harder to let go of this one. I stayed in
the theater a little bit afterward and
just walked around, coming to terms
with the fact that this is something
I’m going to leave in a few months.”
Days later, McGrath encounters
associate professor of visual and performing
arts Elliot Hoffman, who
congratulates him on his performance.
“He told me that I’d come a
really long way since my freshman
year,” McGrath says. “That felt great.”
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